It was also in June that Mishima began to bid farewell to others. After his death, many people recalled their last meeting or conversation with Mishima, vaguely remembering that Mishima had some words that should have made them aware that something was wrong. For example, producer Fujii received a call from Mishima in the middle of the night asking about the possibility of "the Etiquette of Love and death" entering the Milan Film Festival. Mishima doesn't usually call so late. At this time, he was supposed to be writing at his desk in his study. Even weirder, he talked for 20 minutes on the phone, reviewing the production process of the film. Fujii was slightly surprised but only realized after the event. At the end of the conversation, Mishima said "good-bye" instead of the usual "see you later". Other friends are also invited to have a drink or dinner all of a sudden. In June alone, Mishima hosted six or seven critics and writers
In the same week in April, Mishima began to take care of things quietly. Under the pretext that the "Sea of abundance" could not be completed on time (in fact, it was already out of draft), please transfer to Shintianhee "no longer have to think about" the plan they had discussed. These plans include a novel based on the life of the famous court poet Ting Fujiwara and some pornographic literature. This sudden change puzzled Xintian, and he asked nervously about the diary that Mishima often mentioned that he was going to publish one day. Mishima said with a smile that he had decided to burn the diary. In early May, Mishima told Muramatsu that he was going to resign from the Japanese Culture Seminar Council and recommended that the magazine they co-edited be closed. He did not explain this, which made Muramatsu very angry. That's what Mishima hoped, and he began to sever some of the ties he still maintained with the literary world. In mid-May, Mish
Mishima and Kawabata Yasunichi Kawabata, Runichiro Tanizaki, Abe Kobo and later Nobel Prize-winning Kenzaburo Oe are all internationally famous Japanese writers, of which Mishima has the greatest influence. in addition to his own active efforts to make his own pursuit of beauty and other novels have been translated into the most foreign language versions, his opera works such as the Countess Sadu.
The suicide of Yukio Mishima. The famous Japanese suicides Yasunari Kawabata, Akutagawa Ryunosuke, and Tazaiji all belong to the sentimental category, and their suicides are relatively painless and quiet. Yukio Mishima is fundamentally different from their death. As a horse-riding, fencing, supersonic fighter, black belt karate master, fencing Wu Duan, the only strange guy among the literati, he chose Japan's cruel traditional samurai suicide-abdominal suicide. This kind of cesarean suicide in Japan is, on the one hand, to take the blame and atone for its sins with death. One is to be grateful to Huaide, cut the belly, and die for the Lord. (in Japanese, it is called "chasing the belly"). In addition, some lost the war and did not give in and died without giving in, and those who moved the monarch with death are like the remonstrations of corpses in ancient China. And passive laparotomy, which most crimes should be punished, was ordered to cut the abdomen, similar t
Please add Sina Weibo to submit the 98th issue of Miller's love letter on April 17, 2015: _ Miss absentee reproduced, please indicate the source in the title and inside page.
The concept of 'self' is important, and if you can't establish spiritual communication with the object, you certainly can't capture the true face of the object.
"There are a lot of people who think that if there is a date on a photo, it can't be called a work, but I just like date very much. It has an obvious concept of time.
Generally speaking, many people pay more attention to the factors of space or composition in photography.
"in front of the SONY Building in Ginza, or at the countless intersection of Shibuya Station Square, as soon as the green light is on, a mixed flow of people suddenly comes from all directions, as if they are about to bump into each other, but they are not, they just pass by and scatter away. That's the charm of Tokyo. "
Sometimes, to create some events, he arranged women in an atmosphere and space full of suspense, projected his various imaginations on them, and sometimes regarded them as metaphors of the city, juxtaposing their bodies with various parts of the city, so that the human body became a kind of image text that cross-referenced and texted with the city.
Judging from his photography life, Araki Jingwei's life seems to be very noisy, and he is a "photographer" with good "photography" and "color".
However, if we take a closer look, we will find that the bones of his photography also reveal a sense of desolation.
